Tag Archives: Thrillers

That Ghostly Image in the Rearview Mirror May Be Real

In honor of Halloween, I thought I would tell you about a real ghost. Several years ago, when I set out to research my assignment regarding the heritage of some gold, it led me into a fascinating world of very real characters. The gold I sought was once in located in the Philippines. Naturally, my research led immediately to Ferdinand Marcos; however, there was another shadowy character who continually jumped out at me. His name was Santa Romana, and he also lived in the Philippines. At first, my research on Santa Romana turned up little information, almost as if the man didn’t exist.

Determined, I continued to pursue this mysterious man. I discovered that he was a deep CIA operative, working with individuals at the highest level of our government. But another fact jumped out, even more shocking. He had been a Roman Catholic priest and went by the alias Father Antonio Diaz. Before World War II, I have been told Father Diaz had been given the responsibility, by Pope Piux XII, to protect and move gold from Europe to the Philippines, because everyone feared Hitler would take the gold. Father Diaz, a.k.a Santa Romana, I believe supervised this move. This massive quantity of gold not only belonged to the Church, but some of it belonged to many of the wealthy families of Europe. I have even heard that, if successful in protecting the gold, Father Diaz was promised he’d be elevated to the rank of a Bishop. At the beginning of World War II in the Pacific, the Japanese took the islands of the Philippines and thus the gold. So instead of Germany getting the gold, it fell to the Japanese.

Throughout the remainder of Santa Romana’s life, he worked with first with the Army OSS (Office of Strategic Services), then later its successor, the CIA.  He led many lives under many alias. He worked behind the scenes with Philippine President Ferdinand Marcos; however, he  always maintained his religious convictions or his priestly persona. Over the next several decades following World War II, Santa Romana’s primary black ops was to recover gold both for his own benefit and for that of those for whom he worked.

It was this research, plus the encouragement of my supporters, that led me to write the historical/political thriller The President’s Gold around living characters, such as Santa Romana. There were things about their lives that you could not make up—things so out there that they felt impossible to believe, though they were very real. Santa Romana was practically a ghost; there is very little official record of his existence or his work.

As an author of fiction, I found it quite a task to figure out how to keep my real characters interacting with my fictional characters, all the while maintaining accuracy with the historical research I’d completed on those real-life characters. Sometimes, such as in the case of Santa Romana, this becomes a difficult task, especially when there is little information available on that historical person. Therefore, I worked to compose a profile similar to how the police or FBI profiles an individual when a crime is committed with miniscule evidence. I sought (and fortunately, found) individuals who knew Santa Romana, which allowed my profile to expand.

What about you? Have you researched a living (or once living) character for your fictional writing? If so, I’d love to hear from you. Share your experience here, so that I, and other fellow writers, can learn more.

How Much Romance is Too Much Romance?

Image

 Photo by Graur Codrin

Walking the Tightrope in a Political Thriller

 

When I first started writing my novel The President’s Gold, I had a strong idea of what I wanted to cover in the story: the theft of Chinese war loot by the Japanese (referred to as Yamashita’s gold), and how Philippines President Ferdinand Marcos acquired it and kept it hidden—with US President Truman’s help. I wanted to aid in exposing the role the American government played in the scandal and the fraudulent dealings on which our world banking system is built.

What I didn’t want to do is write a romance novel. And yet, in many ways, I did just that.

Some of the best feedback I have received about my novel comes not only about the exposé of what is arguably the greatest state secret of our lifetime, but about the romantic relationship between my protagonist Franklin Young and his adversary-turned-lover Rosalita Laurel. Women, in particular, love this thread in the story, though I’ve had more than one man confess to having the hots for spicy Rosalita and her sometimes-wicked ways.

But how much romance is too much romance between fictional characters in a story that thrives not on only on action, but also on historic political events? The line is a fine one, indeed.

The Romance Writers of America (RWA) state that two basic elements are involved in a romance: a central love story and an emotionally-satisfying and optimistic ending. The President’s Gold did not have a love story as its central element, nor did it have an optimistic ending for the couple, though Frank and Rosalita’s story certainly does not end with this novel. However, the subplot of the story, which deals with how a man can find love and maintain his ethical beliefs and personal morals while spying on and being manipulated by his government, certainly underscores the risks one will take for true, romantic—perhaps unconditional—love.

Major motion picture movies, from the classic Casablanca starring Humphrey Bogart to the more recent Mr. and Mrs. Smith starring Brad Pitt and Angelina Jolie, have proven the marketability of romance in politics. But is a romantic thread necessary, or even feasible, in a modern-day political thriller? Only if you want to capture a larger share of the market. In 2012, the romance genre raked in nearly $1.5 billion dollars in sales, according to Business of Consumer Book Publishing 2013. What’s not to love about that?

What do you think, readers? Do lovers of historical fiction and political fiction enjoy a scoop of romance atop their thriller? If you’re a romance reader, do you appreciate the suspense and thrill of action—even actual history—that buoys a romantic thread and keeps it moving at a fast pace? Share your opinions here, and let’s examine the tightrope that carries us from the ledge of a thriller to one of romance.